Becoming body: from the animal/vegetable of the human toward the material of the art work
DOI:
https://doi.org/10.69967/07194773.v1i12.120Keywords:
body, animal, vegetable, material, artworkAbstract
Undoubtedly, the historical mind–body duality installed by classical-modern philosophy and puts into question both by Nietzsche and many other philosophers, It has influenced in the thought of authors like Deleuze, for whom the notion of body is a relational unity. Indeed, for Nietzsche the human soul is a part of the body and this one a unit in permanent relation with its environment, in which the nature of the vegetable and the animal is not different from the nature of the human. On the other hand, Deleuze thinks of the body (and in this case, the body of artwork) as a body that emerges and passes through thresholds, as an exit from the figurative or narrative towards the purely figural, i.e, as that group of sensations inevitably related to their own material.
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